Claude Parent | Les Inédits | 28 mai-15 juin
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Les Cahiers
- Andrea Branzi - Louis XXI, porcelaine humaine
- Pierre Paulin - Le siège Anneau
- Andrée Putman - Clin d'oeil
- Christian Biecher - Lace in Sèvres
- Christian Lacroix vu par David Dubois et Christian Rizzo
- Cover Girl
- Claude Bouchard - Puiforcat, le dessous de l'iceberg
- David Dubois - Une chambre à la villa Noailles
- Ettore Sottsass - Sèvres, les temps d'un voyage
- François Azambourg - The Douglas Vase. The Embrace of Wood
- Hilton McConnico - Extravagance
- Jasper Morrison - Repertoire for a Shape
- Marc Barani - Un pont à Billancourt
- Martin Szekely - Concrete
- Martin Szekely - Shelves
- Mattia Bonetti - Happy Birthday
- Naoto Fukasawa - The Vase Metro
- Pierre Charpin - New shapes for Sèvres
- Pierre Hardy - Success is a job in Paris
- Vanessa Bruno - Dancing in the Moonlight
- Vincent Dupont-Rougier - Bureau pour un ambassadeur
- Michele De Lucchi - Le Coppe della filosofia / Sèvres - Baccarat
- Michele De Lucchi - Au-delà du piano
- Martine Bedin / Jeannette Montgomery Barron - À petits pas
- Claude Lévêque - Hymne à la joie
- Into the Woods
- In a Sentimental Mood
- Henrik Vibskov - Neck Plus Ultra
- Régis Mayot - Jeanne et Cie
- Philippe Jarrigeon - Grand Magasin
- Henri Matisse - La Chapelle du rosaire de Vence
- Henri Matisse - Nu bleu II
- Créations à Sèvres depuis 1965 -vol. 1 et 2
- Karina Bisch - Arlequine
- Cher...
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Couleurs Contemporaines
- Christian Ghion - Design by
- Christophe Pillet
- Domeau & Pérès - Design
- L'expérience de la céramique - CRAFT
- Roland Daraspe - De la feuille à la courbe
- Christian Jaccard - Energies dissipées
- François Rouan - La découpe comme modèle
- La Tourette, Modulations
- Guillaume Bardet - L'Usage des jours
- Christian Bonnefoi - Dos à dos
- Auguste Herbin
- Derrière le visible - Eric Michel / Franck Christen
- Philippe Favier - Noir
- Titus-Carmel - écarts/tracés
- Anne et Patrick POIRIER - Mémoire des murs
- Fabrice Hyber - hyber... Hyber
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Dupin (George)
George Dupin was born in 1966 and works and lives in Paris. He graduated from the Institut des Hautes études en arts plastiques and got his National diploma of plastic expression in 1990. George Dupin leads his research according to two axis: on one part, a photographic process that describes new contemporary subjects, and on the other part, a reflection on modalities and places of artistic representation. Since 1996, George Dupin’s work addresses contemporary mechanisms that manage modern cities such as Dubaï, Jérusalem, Pékin, Hérouville-Saint-Clair, Marne-la-Vallée, Sao Paulo… Unlike Eugène Atget and his nostalgia for a Paris that is disappearing behind new arteries created by Haussmann, George Dupin’s images attempt to show the emergence of new shapes. George Dupin doesn’t put the modernity of a gaze in place, but the will to confront himself to the world’s modernity. This attention he pays to the world essentially relies on architecture, urban functioning and the chaos resulting from global overpopulation.
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