During his stay in the Dominican Monastery of La Tourette – the last major work of French architect Le Corbusier - photographer George Dupin disclosed a set of unseen snapshots.
La Touret, Modulations
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During his stay in the Dominican Monastery of La Tourette – the last major work of French architect Le Corbusier - photographer George Dupin disclosed a set of unseen snapshots.
During his stay in the Dominican Monastery of La Tourette – the last major work of French architect Le Corbusier - photographer George Dupin disclosed a set of unseen snapshots, the results of a personal tour of the monastery. George Dupin is a follower of Lucien Hervé (a photographer in close contact with Le Corbusier) and offers a vision of the convent that unveils overviews and original details (furniture, atrium, hallways…).
Also for this occasion, the works of Alan Charlton, an artist invited to La Tourette, are exhibited in the convent during Lyon’s Biennale of Contemporary Art taking place from September 10th to November 18th 2011.
A silent dialogue emerges between the architect’s work and the artist’s.
9782363060099
Data sheet
- Number of pages
- 112
- Size
- 24 x 30 cm
- ISBN
- 9782363060099
- Publication date
- 2011
Charlton (Alan)
Dupin (George)
George Dupin was born in 1966 and works and lives in Paris. He graduated from the Institut des Hautes études en arts plastiques and got his National diploma of plastic expression in 1990. George Dupin leads his research according to two axis: on one part, a photographic process that describes new contemporary subjects, and on the other part, a reflection on modalities and places of artistic representation. Since 1996, George Dupin’s work addresses contemporary mechanisms that manage modern cities such as Dubaï, Jérusalem, Pékin, Hérouville-Saint-Clair, Marne-la-Vallée, Sao Paulo… Unlike Eugène Atget and his nostalgia for a Paris that is disappearing behind new arteries created by Haussmann, George Dupin’s images attempt to show the emergence of new shapes. George Dupin doesn’t put the modernity of a gaze in place, but the will to confront himself to the world’s modernity. This attention he pays to the world essentially relies on architecture, urban functioning and the chaos resulting from global overpopulation.
Molnar (Véra)
1924 Vera Gács born on 5 January in Budapest (Hungary).
1942-1947 Studies painting, art history and aesthetics at the Budapest School of Fine Arts, alongside Ferenc [François] Molnar, Judit Reigl, Marta Pan, Simon Hantaï; diploma as professor of art history and aesthetics.
1952 Participates in first group exhibition at Galerie Bourlaouën, Nantes.
1957 Meets Jesús Rafael Soto and François Morellet.
1960 Takes part in the group exhibition Konkrete Kunst organised by Max Bill in Zurich; becomes a member of the Centre de recherche d'art visuel (CRAV).
1967 Co-founder of the Art et informatique group at the Institut d'esthétique et des sciences de l'art in Paris.
1968 First works produced with the help of a computer; trip to the United States.
1973 Takes part in the first international digital art exhibition in Paris.
1974 Develops the MolnArt digital programme with François Molnár.
1975 Becomes a member of the Atelier de recherches techniques avancées (ARTA), Centre Pompidou, Paris.
1976 First solo exhibition at the Gallery Polytechnic of Central London, London.
1979 First solo exhibition in France at the Atelier de recherche esthétique, Caen.
1980 Publication of first "livrimage", Un pour cent de désordre.
1985-1990 Teaches at the UER Arts plastiques et Sciences de l'art, Université Paris 1 - Panthéon Sorbonne.
1990 First installation, Homage to Dürer, Stiftung für Konkrete Kunst, Reutlingen.
1993 Death of François Molnár; exhibition with Gottfried Honegger, La Quadrature de l'art, Cloître du CRDP Poitou-Charentes, Poitiers.
1999 Solo exhibition at Crédac, Ivry-sur-Seine.
2001 Solo exhibition at the Musée de Grenoble.
2004 Retrospective exhibition at the Wilhelm-Hack-Museum, Ludwigshafen.
2006 Retrospective exhibition at the Kunsthalle Bremen.
2009 Participation in the group exhibition Digital Pioneers, Victoria and Albert Museum, London.
2010 Participation in the group exhibition On Line: Drawing Through the Twentieth Century at MoMA, New York.
2012 Retrospective exhibition at the Musée des Beaux-Arts de Rouen and the Centre d'art contemporain de Saint-Pierre-de-Varengeville.
2013 Participation in the group exhibition Dynamo (with Agam, Calder, Cruz-Diez, Kapoor, Le Parc, Morellet, Soto) at the Grand Palais, Paris.
2017 Participation in the group exhibition Thinking Machines, Art and Design in the Computer Age, 1959-1989 at MoMA, New York.
2018 AWARE Prize of Honour; solo exhibition at the Musée des Beaux-Arts, Caen.
2019 Exhibition "Code and Algorithm. Tribute to Véra Molnar" at the Vasarely Museum in Budapest.
2020 "Disorder in Order" exhibition organised at the Kiscelli Múzeum in Budapest.
2021 "Pas froid aux yeux" exhibition at the Espace de l'Art Concret in Mouans-Sartoux, then at the Musée des Beaux-Arts in Rennes; "Elles font l'abstraction" exhibition at the Centre George Pompidou in Paris featuring works by Véra Molnar.
2022 Group exhibition "The Milk of Dreams" as part of the 59th Venice Biennale; first NFT "2% de désordre en coopération"
2023 Exhibition "Code: Art Enters the Computer Age" at the Los Angeles County Museum of Art; "Moviment" festival, exhibition of diaries at the Centre Georges Pompidou in Paris; launch of the NFT series "Thème et variations"
December 2023 Death of the artist in Paris
Tyson (Ian)
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