For the creation of this new « statement », Lawrence Weiner decided to liberate himself from the direct printing on the wall in order to lead the spectator towards a new relationship to his linguistic proposition.
The artist came up with the idea of striking the trunk of fourteen varieties of trees with a mallet, registering the quality of the vibration from the wood itself, its resonance in away.
Since the early 70's, each photo has been taken the same way. The man dressed in a white shirt photographs himself, posing in an attitude which is as neutral as possible.
Characterized by the intensity of its Prussian blues or cyan blues, the cyanotype has provided Claire Trotignon with an ideal opportunity in which to further develop her graphic work.
Inspired by Dürer’s etching “Melancolia”, Vera Molnar continuously interrogates a square filled with numbers of which the sum never changes. She appropriates it and attempts to reveal its secrets.
Since 1960, Hermann Nitsch (born in 1938 in Vienna) presents a work that with a strong liturgical character, in which painting, music and theatre are intimately blended.
Marine maps from the early twentieth century are the backdrop for a triptych inhabited by signs and diverse highlights. Original intervention by the artist on each piece of the series.
