Fragments - Marc Alexandre Oho Bambe

François Rouan is one of those who have seen Matisse. The paper cut-outs of the years 1965-1966 bear witness to this.

Anne and Patrick POIRIER create an original and poetic dialogue with the Convent of La Tourette, Le Corbusier’s masterpiece, “tinged with the whiteness of the walls.”

Made between 1909 and 1931, the Archives de la Planète represents one of the most comprehensive funds of color photographs from the beginning of the 20^th century.

This books present a set of unpublished creations of Matisse.

Hervé Dixneuf and Grégory Blain, who joined forces in 2007 to create the “Atelier BL119”, make up an atypical duo, far from the usual line of strategy one comes across in the work of young designers.

Damien Deroubaix - Gravures 1996-2016, catalog of the Damien Deroubaix Best of part 2 exhibition, held at the Musée du dessin et de l’estampe originale of Graveline from June 25^th to October 16^th, 2016.

Cher Aimé… is the sixth title of the “Cher…” collection published on the occasion of the tenth anniversary of the death of Aimé Césaire

Catalogue of Pardo é Papel, an exhibition of the work of Maxwell Alexandre at the Musée d'art contemporain of Lyon from March 8 to July 7, 2019.

Fragments is a unique dialogue between poetry, music, visual and digital arts.

Marc Alexandre Oho Bambe’s text is echoed by Fred Ebami’s illustrations and Alain Larribet’s music. Available via QR code.

For some forty years Janos Ber has been interrogating Matisse's writings and paintings.

A fifteen years period of creation by the French designer Christophe Pillet. Text by Olivier Reneau in English.

On ira cueillir des soleils la nuit is the fifth book by La Collection du Parc coedited with the Fondation nationale pour les arts graphique et plastiques (FNAGP) after Marie Vassilieff and Laure Albin Guillot.

This monograph presents a set of works and interventions, some of them new, by artist Christian Jaccard.

The video and photographic work of Florence Chevallier (born in 1955, currently living and working in Paris) overlaps between document and allegory while exploring the genres of landscape, portrait, self-portrait and genre scene.

This book is published for the exhibition at the Museum of Confluences, Lyon.

On the occasion of the fiftieth anniversary of the death of Le Corbusier, this book brings together twelve letters and drawings by contemporary architects.

Whether it is photographic, filmic or visual art, Jean-Luc Moulène uses his practice to study the natural and cultural phenomenons that surround him.

Bernar Venet has created a venue for contemporary art in the enlarged, renovated watermill he has been living in since 1989, in Le Muy (France, Var).

This book is published for the exhibition at the Museum of Confluences, Lyon.

For the first time, Jean-Luc Moulène's series Disjonctions, which deconstructs the codes of photography, is shown in its whole.

This book seeks to go beyond the classical framework of books on architecture to enable the general public to discover the wealth of expertise behind these ventures in construction.

Book in a portfolio presents contemporary tapestries and carpets from the French Manufactures of Gobelins, Beauvais and Savonnerie, created by international artists since 1965.