Vera Molnar / Parcours Sainte-Marie

The story of a legendary couple acquainted with the greatest artists and creators of their time…

On the occasion of the first great retrospective exhibition of this artist born in Montpellier in 1938, this catalogue of over-400 pages will present the work of a main witness and actor of the great upheavals of contemporary painting in the 60s.

We are pleased to announce our participation to the 2017 Paris Art Fair.

One of the artist's rare silkscreen print

Deluxe edition of L’Art de Pierre Soulages by Bruno Duborgel.

The Moc Moc Moc Carpets by Sylvain Debelfort were presented for the DDay’s 2017 at the Musée des arts décoratifs de Paris.

This multiple is composed of a set of nine wooden letters forming the word: SOMETHING.
Sycamore tree set.

For FIAC 2016,
come and discover
Claire Trotignon's exhibition
Les Mémoires Gravitationnelles

A lamp that can be infinitely modulated (almost) 

This set consists of an exceptional trilogy: the result of an endless dialogue between the works of three artists, Marc-Alexandre Oho Bambe, Fred Ebami and Alain Larribet.

Oak centerpiece conceived by Atelier BL 119 as a simple and primary architecture, recalling a pontoon.

GEARS

March 1967- Musée d’art et d’industrie of Saint-Etienne- Philippe Favier discovered contemporary art and Le Fiancé by Francis Picabia.

“I received my first bike at the age of twelve, since then, I have been on the road.” (Paul Morand)

Dark smoker is a vase inspired by a natural volcanic phenomenon at the origin of the island.

The "Dancers in the Dark" stool by Etienne Marc was presented for the DDay’s 2017 at the Musée des arts décoratifs de Paris.

Lamp « Spoutnik» by François Azambourg.

Since around 1969, Villeglé has had a real passion for signs, typography, graphic experiments and poetry. This passion gave way to his famous sociopolitical alphabet, a vast repertoire of thousands elements from various world cultures he reinvents and recomposes. 

From March 28 to June 10, 2017, Galerie des Galeries presents Le jour qui vient (The Day That Comes).

The book records installations done in Clermont-Ferrand between 2000 et 2010, and photographed by the artist.

The motif of the Montagne Saint-Victoire -so dear to Cezanne- holds a unique place in Vera Molnar’s work.

The motif of the Montagne Saint-Victoire -so dear to Cezanne- holds a unique place in Vera Molnar’s work.

Catalog of the exhibition Maître de l'Art nouveau viennois dedicated to Otto Wagner at the Cité de l'Architecture et du Patrimoine.

Catalog of the exhibition La rue nous appartient – New York, 1970-1980 dedicated to Arlene Gottfried at the Musée des Beaux-Arts de Nancy from October 12, 2019, to January 12, 2020.