Philippe Favier et Eric Chevillard - Aquarelles de guerre

This book is published for the exhibition at the Museum of Confluences, Lyon.

For FIAC 2016,
come and discover
Claire Trotignon's exhibition
Les Mémoires Gravitationnelles

An exceptional selection of hand-coloured cards on Arche vellum paper is presented.

Pigment and acrylic paint on cotton paper by Julie Polidoro

Bernar Venet has created a venue for contemporary art in the enlarged, renovated watermill he has been living in since 1989, in Le Muy (France, Var).

Pigment inkjet printing and screenprinting on watercolor Arches and Hahnemühle paper, tracing paper, wood and Plexiglas.

Oak centerpiece conceived by Atelier BL 119 as a simple and primary architecture, recalling a pontoon.

The artist presents a new tridimensional painting

Monotype- pigment printing with original texts by ARPAÏS du Bois

The motif of the Montagne Saint-Victoire -so dear to Cezanne- holds a unique place in Vera Molnar’s work.

The "Pluto" Suspension by Marie-Eve Millasseau was presented for the DDay’s 2017 at the Musée des arts décoratifs de Paris.

From March 28 to June 10, 2017, Galerie des Galeries presents Le jour qui vient (The Day That Comes).

An obsidian construction game created by Anne et Patrick Poirier

Fragments is a unique dialogue between poetry, music, visual and digital arts.

Marc Alexandre Oho Bambe’s text is echoed by Fred Ebami’s illustrations and Alain Larribet’s music. Available via QR code.

This book is the exhibition catalogue of Picasso et le livre d'artiste at Pierre Andre Benoit museum (Alès)

These creations are pieces of jewelry as much as small-scale sculptures.

GEARS

March 1967- Musée d’art et d’industrie of Saint-Etienne- Philippe Favier discovered contemporary art and Le Fiancé by Francis Picabia.

“I received my first bike at the age of twelve, since then, I have been on the road.” (Paul Morand)

Original drawings, screen printed, of 5 ex. (each).

The "Time on Hold" Clock by Bastien Mairet was presented for the DDay’s 2017 at the Musée des arts décoratifs de Paris.

Since around 1969, Villeglé has had a real passion for signs, typography, graphic experiments and poetry. This passion gave way to his famous sociopolitical alphabet, a vast repertoire of thousands elements from various world cultures he reinvents and recomposes.