Bernar Venet - The dot hypothesis engravings

Bernar Venet - gravures L'Hypothèse du point
Previous Next

Bernar Venet, in Hypotheses of Dots, offers a rare work, all the more exceptional because his engraved works are as yet uncommon.

 
This object is only available on order, please contact us for more information

Considered as one of the key figures of conceptual art, Bernar Venet continually renews his practice, opening towards new fields of experimentation.

After emphasizing the fact that his art reposes on performances (that are less well known by the general public), and reconsidering his relationship with painting (through series of mathematical equations he began in 2001), he is now working on the vocabulary of his sculpture by moving form the Line to these series of “Dots”.

These works – cut out of steel with a blowtorch – are presented in a constellation on walls. In this manner, Bernar Venet questions the principles of chance while defining heterogeneous spaces that can be read as both three-dimensional sculptures and frontal planes with infinite dimensions.

He has just created an important breakthrough with a series of three engravings that illustrate this principle for Bernard Chauveau publishing and Néant publishing. This exceptional triptych (225 x 105 cm) also offers establishes a tension between the precision of his practice and the sensuality of his prints on copper plates.

By playing with texture and the white of the paper, and by the subtle inking from light grey to dense black, Bernar Venet gives the work a monumental, intimate character. The mass of Dots converse with their own subtle traces and shifting movements. Bernar Venet, in Hypotheses of Dots, offers a rare work, all the more exceptional because his engraved works are as yet uncommon.

Reference Venet gravures
Size 105 x 75 cm
Edition 20 copies
Justification Signed and numbered
Technique Three engravings Prints on BFK Rives 270 g paper
Publication date 2014

Venet (Bernar)


Bernar Venet (born in 1941 in France) is a visual artist. In 1958, he joined the Villa Thiole in Nice and then became assistant set designer at the Opera of Nice. In 1966, he moved to New York where he painted and sculpted mostly wood and steel. His steel sculptures (or “Indeterminate Lines”) were exhibited in many urban spaces across France and worldwide.

Related Products

One of the most accomplished multiples by Alan Charlton
The idea of the imprint is constitutive of the artistic work of Anna et Patrick Poirier: constant questioning of man’s place in the world.
Alex Katz’s hand drawings made with ink are a demonstration of his talent.
For the creation of this new « statement », Lawrence Weiner decided to liberate himself from the direct printing on the wall in order to lead the spectator towards a new relationship to his linguistic proposition.
In Vera Molnar’s work, the motif of the Montagne Saint-Victoire holds a singular place.
Original serigraphy created by Odile Decq from the design of the “Pavillon 8” (built in Lyon) consisting of two massive, unbalanced parallelepipeds.
Cold Hill Side, an expression taken from the poem La Belle Dame sans merci, is a series of three silkscreens created by Claire Trotignon.
Marine maps from the early twentieth century are the backdrop for a triptych inhabited by signs and diverse highlights. Original intervention by the artist on each piece of the series.
An obsidian construction game created by Anne et Patrick Poirier
GEARS March 1967- Musée d’art et d’industrie of Saint-Etienne- Philippe Favier discovered contemporary art and Le Fiancé by Francis Picabia. “I received my first bike at the age of twelve, since then, I have been on the road.” (Paul Morand)
This Monolithe edition was imagined by Odile Decq, following her last important architectural realization: the Fonds regional d’art contemporain (Frac) Bretagne in Rennes, 2012.
By rebinding this black book, Bernar Venet asserts that modernity, far from being dead, is not even outmoded and that the utopia it conveys still deserves to be revived.
The motif of the Montagne Saint-Victoire -so dear to Cezanne- holds a unique place in Vera Molnar’s work.
The first tapestries of Vera Molnar.
An over 5 meter-long drawing on canvas…
Pigment inkjet printing and screenprinting on watercolor Arches and Hahnemühle paper, tracing paper, wood and Plexiglas.
Since 1968, Giuseppe Penone has been considered one of the leading artists of the Arte Povera movement and since that time, has developed an artistic practice where artifice and nature are closely connected.
Inspired by Dürer’s etching “Melancolia”, Vera Molnar continuously interrogates a square filled with numbers of which the sum never changes. She appropriates it and attempts to reveal its secrets.
Add to cart
Since the early 70's, each photo has been taken the same way. The man dressed in a white shirt photographs himself, posing in an attitude which is as neutral as possible.
3 317,54 €
Original drawings and graphic compositions from different periods of his fruitful path, revealing the artist’s multiple facets.
Add to cart
An edition that ironically questions the history of art.
360,19 €
O' Sole Mio is an engraved Carrara marble sundial mounted on a brushed stainless steel base with a brushed brass rod designed by Vera Molnar.
Vogue la galère results from a specific project which has been discussed with Bernard Chauveau Éditeur and Le Néant, éditeur.
The artist's latest creation, which marks a turning point and a return to line and drawing.
An undefinable artist, Fabrice Hyber has never stopped rattling the art world with his POF, his unclassifiable exhibitions transform museums into supermarkets or hairdressing salons.
The artist presents her first tridimensional painting.
The first tapestries of Vera Molnar.
These two impressive works, White Moon and Black Moon, depict a fictive and futuristic landscape, yet to be explored.

Scroll To Top