Nestor Perkal - Joyita

This book presents the work of 12 renowned textile designers that reveals a universe which is poetic, fantastic and full of humour.

The text by Bruno Dubrogel reveals the extensive creative adventure of Pierre Soulages, by means of questions regarding aesthetics, spirituality and technologies.

A new approach to understand and explore the work of Pierre Soulages.

With about twenty illustrations selected by the artist.

Claude Aïello became his own master, and since the 1980s, has specialized in the production of ceramic pieces with international designers as Ronan Bouroullec, Christian Ghion, Mathieu Lehanneur...

COVER GIRL the art show features ten pieces each of which offers a quirky, offbeat view of the “beautiful woman” aesthetics that is normally conveyed by the world of fashion.

For “La Parisienne” the Galerie des Galeries has invited Sofia Achaval and Thibault de Montaigu to conjure up for us the apartment of a fictional Parisian woman.

Bob Verschueren plays on the fragility of things and the pieces he creates interpret this idea of ephemeral Nature.

Concrete by the French designer Martin Szekely, is an original project for a new and unexpected furniture, made of concrete.

Roland Cognet catalyzes the four primary elements - mineral, vegetable, animal and human - in one sculptural body. This formed one of the major themes in his work of the early 80s.

The artist’s intervention planned outside of Kernault’s mansion aims at reinterpreting the place and seeks a dialogue between the walls of the mansion and the surrounding park.

Each destination is a source of inspiration and creation for Nestor Perkal, designer and traveller. The jewellery he creates comes from every one of his experiences as well as his quest for pictures, objects and colours. 

From 1942 to 1954, Sister Jacques-Marie, originally Monique Bourgeois, describes her encounter with Henri Matisse that lead to the creation of the Rosaire Chapel in Vence.

For many years now, Martin Bruneau has been working from paintings of the great masters of the classical period such as Rembrandt, Velasquez, Courbet, Pousins or even Philippe de Champaigne.

Hervé Dixneuf and Grégory Blain, who joined forces in 2007 to create the “Atelier BL119”, make up an atypical duo, far from the usual line of strategy one comes across in the work of young designers.

This volume of  “Les Cahiers” collection presents the history of the Anneau siège, Pierre Paulin’s final creation for Ligne Roset, shortly before his death in June 2009.

V. Klotz has been developing a singular creation, somewhat marginal in the field of contemporary art, centered on the artistic beauty of our relationships with animals and nature.

The Bernar Venet- Les Origines / 1961-1966 catalog presents a selection of major artworks by the artist.

Named after the song by Duke Ellington and John Coltrane, the “In a Sentimental Mood” exhibition offers a journey through every facet of love.

Lines, in all their different forms have punctuated Bernar Venet’s work since the sixties. Constructed from infinite points, these lines are the foundation of his work.

With Grand magasin (“department store”, in French) Philippe Jarrigeon has created a series of images inspired by this place and people’s experiences of it.

To celebrate 20 years of creations by the House of Christian Lacroix, twenty items of clothing from the collections of the Paris based couturier were exhibited by D. Dubois and C. Rizzo.

In the Donahue bar-set, a creation by designer Claude Bouchard, the Puiforcat silversmiths have renewed their lines.

Each destination is a source of inspiration and creation for Nestor Perkal, designer and traveller. The jewellery he creates comes from every one of his experiences as well as his quest for pictures, objects and colours. 

A fashion designer recognized from Paris to Tokyo, Vanessa Bruno presents, within the framework of an exhibition in the Galerie des Galeries, from June 25 to August 14, 2010.

For The Tyranny of Objects some artists are invited to show indomitable objects that cast a critical light on our rational, constraining or downright authoritarian production patterns.

This book presents an ensemble of opaque watercolours and oils paintings produced by Geneviève Claisse in 1965 and 1966.