Roland Cognet - Regard d'artiste

The Bernar Venet- Les Origines / 1961-1966 catalog presents a selection of major artworks by the artist.

A surprising, original and imaginative creation, the chest of drawers Happy Birthday, conceived as a big and colorful present by the designer Mattia Bonetti.

Performances of S. Hirakawa question spectators on the place they occupy in natural environment, their relationship to nature and its impact on them.

Inspired by modernism, endowed with a great sense of colour, the artist has developed, for the past fifteen years, a graphic painting style that continuously interrogates origins and uses of shapes.

The artist’s intervention planned outside of Kernault’s mansion aims at reinterpreting the place and seeks a dialogue between the walls of the mansion and the surrounding park.

Titus-Carmel was born in 1942 in Paris. Since the 60’s he has devoted himself exclusively to drawing, painting and writing.

Daniel Buren’s work is well known, especially for his white or colourful stripes, and dialogues with its environment. In situ or in movement, they will be exhibited at the Picardie museum, until october 2015.

Conceived around the relationship of drawing and writing, text and image, Comment d'une épingle faire un clou is a collection of thoughts on the fundamental values of transmission.

Roland Cognet catalyzes the four primary elements - mineral, vegetable, animal and human - in one sculptural body. This formed one of the major themes in his work of the early 80s.

Lines, in all their different forms have punctuated Bernar Venet’s work since the sixties. Constructed from infinite points, these lines are the foundation of his work.

V. Klotz has been developing a singular creation, somewhat marginal in the field of contemporary art, centered on the artistic beauty of our relationships with animals and nature.

The Picardie Museum has presented a lesser-known aspect of the artist’s work: his “Toolboxes”. C. Jaccard has compulsively created a multitude of boxes accumulated in his studio for over forty years.

Bob Verschueren plays on the fragility of things and the pieces he creates interpret this idea of ephemeral Nature.

Series of 18 hand drawings made with ink. Each one of Alex Katz’s characters seems deeply absorbed by his thoughts, imagination and preoccupations.

On the occasion of the release of Cher Matisse... we asked Claude Viallat and Jacques Villeglé, two great artists who have "looked at" Matisse, to imagine a limited edition.

The artist’s intervention planned outside of Kernault’s mansion aims at reinterpreting the place and seeks a dialogue between the walls of the mansion and the surrounding park.

Bernar Venet has created a venue for contemporary art in the enlarged, renovated watermill he has been living in since 1989, in Le Muy (France, Var).

Exceptional hand-coloured pochoir print with gouache of the Blue Nude by Henri Matisse on Arches vellum paper.

From March 28 to June 10, 2017, Galerie des Galeries presents Le jour qui vient (The Day That Comes).

For many years now, Martin Bruneau has been working from paintings of the great masters of the classical period such as Rembrandt, Velasquez, Courbet, Pousins or even Philippe de Champaigne.

Hymne à la Joie, refers to Beethoven’s ninth symphony, and is an in-situ installation for the Galeries Lafayette, Paris, in July 2011.

In subsequent years, Dougherty has developed a body of work that seems to fly through trees, overtake buildings, and define, in his stand-alone structures, a kind of modern primitive architecture.

A new approach to understand and explore the work of Pierre Soulages.

With about twenty illustrations selected by the artist.