Roland Cognet - Regard d'artiste

The artist came up with the idea of striking the trunk of fourteen varieties of trees with a mallet, registering the quality of the vibration from the wood itself, its resonance in away.

An exceptional selection of hand-coloured cards on Arche vellum paper is presented.

Performances of S. Hirakawa question spectators on the place they occupy in natural environment, their relationship to nature and its impact on them.

From March 28 to June 10, 2017, Galerie des Galeries presents Le jour qui vient (The Day That Comes).

The artist’s intervention planned outside of Kernault’s mansion aims at reinterpreting the place and seeks a dialogue between the walls of the mansion and the surrounding park.

The ornamental panels for Polynesia created by Matisse in 1946, are here reproduced in double sized hand-coloured stencilled illustrations and sketches, according to his cut-out work.

The Picardie Museum has presented a lesser-known aspect of the artist’s work: his “Toolboxes”. C. Jaccard has compulsively created a multitude of boxes accumulated in his studio for over forty years.

The "All Over" exhibition created by Samuel gross explores the vertical stripes, a recurrent theme in art and fashion history.

F. Hyber keeps on rocking contemporary art with his POF (prototypes of functioning objects) or his unclassifiable exhibitions that transform museums into supermarkets or hairdressing saloons.

Roland Cognet catalyzes the four primary elements - mineral, vegetable, animal and human - in one sculptural body. This formed one of the major themes in his work of the early 80s.

V. Klotz has been developing a singular creation, somewhat marginal in the field of contemporary art, centered on the artistic beauty of our relationships with animals and nature.

Exceptional pochoir print of The Wave by Henri Matisse. Each stencil print on Arches paper is hand-coloured.

Jackie Matisse, granddaughter of Henri Matisse and daughter of Pierre Matisse who had a famous gallery in New York, was born in 1931.

From 1942 to 1954, Sister Jacques-Marie, originally Monique Bourgeois, describes her encounter with Henri Matisse that lead to the creation of the Rosaire Chapel in Vence.

Exceptional hand-coloured pochoir print with gouache of the Blue Nude by Henri Matisse on Arches vellum paper.

For many years now, Martin Bruneau has been working from paintings of the great masters of the classical period such as Rembrandt, Velasquez, Courbet, Pousins or even Philippe de Champaigne.

In subsequent years, Dougherty has developed a body of work that seems to fly through trees, overtake buildings, and define, in his stand-alone structures, a kind of modern primitive architecture.

On the occasion of the 50th anniversary of Le Corbusier’s passing, Anish Kapoor was invited to make his work dialogue with the La Tourette convent’s architectural patrimony. This confrontation gives place to an exhibition that changes the way we see and look at the convent.

Conceived around the relationship of drawing and writing, text and image, Comment d'une épingle faire un clou is a collection of thoughts on the fundamental values of transmission.

Titus-Carmel was born in 1942 in Paris. Since the 60’s he has devoted himself exclusively to drawing, painting and writing.

This « travel log » shows 47 artists' drawings living in Nice, invited to give a vision of "their" Nice, the place where they live.

The artist came up with the idea of striking the trunk of fourteen varieties of trees with a mallet, registering the quality of the vibration from the wood itself, its resonance in away.