Martin Bruneau - Regard d'artiste

Silkscreen from Matisse’s drawing created for the Chapel of the Rosary in Vence in 1951.

In subsequent years, Dougherty has developed a body of work that seems to fly through trees, overtake buildings, and define, in his stand-alone structures, a kind of modern primitive architecture.

This book presents an ensemble of opaque watercolours and oils paintings produced by Geneviève Claisse in 1965 and 1966.

Catalogue for the exhibition Matière à doutes by Jean-François Lacalmontie at the Centre d'art contemporain of the Matmut from January 13 to April 4, 2018.

The text by Bruno Dubrogel reveals the extensive creative adventure of Pierre Soulages, by means of questions regarding aesthetics, spirituality and technologies.

This catalog about Nathalie Talec's last works (photographes, ceramics, installations, sculptures and drawings) is released for the exhibition at the musée des Beaux-Arts d'Amiens, museum of Picardie.

Performances of S. Hirakawa question spectators on the place they occupy in natural environment, their relationship to nature and its impact on them.

For many years now, Martin Bruneau has been working from paintings of the great masters of the classical period such as Rembrandt, Velasquez, Courbet, Pousins or even Philippe de Champaigne.

18 authors from very different creative disciplines (art, literature, film, music…) have come together to form a kind of collective letter, a lively tribute to the vibrant personality and work of Camille Claudel.

Deluxe edition of L’Art de Pierre Soulages by Bruno Duborgel.

Exceptional hand-coloured pochoir print with gouache of the Blue Nude by Henri Matisse on Arches vellum paper.

From March 28 to June 10, 2017, Galerie des Galeries presents Le jour qui vient (The Day That Comes).

Lines, in all their different forms have punctuated Bernar Venet’s work since the sixties. Constructed from infinite points, these lines are the foundation of his work.

Did Someone see Mr. Corbu ? Gwénaëlle Abolivier

A playful paper chase to discover Le Corbusier’s geometric architecture.

François Méchain, known as a “nomadic sculptor” and photographer, made Perspectives, a series of three works, for the Domaine de Trévarez.

Roland Cognet catalyzes the four primary elements - mineral, vegetable, animal and human - in one sculptural body. This formed one of the major themes in his work of the early 80s.

Anne and Patrick POIRIER create an original and poetic dialogue with the Convent of La Tourette, Le Corbusier’s masterpiece, “tinged with the whiteness of the walls.”

Fifteen artists came together to explore the notion of spirituality with their feminine identity.

For nearly forty years, Christian Bonnefoi’s work has stood in a very special place on the painting scene and, more generally, in the history of contemporary art.

The artefact in Érik Samakh’s work points at the artist’s image as a hunter-gatherer.

A book of creations imagined by young graphic designer Frédéric Teschner — the result of a “carte blanche” given by the editor.

F. Hyber keeps on rocking contemporary art with his POF (prototypes of functioning objects) or his unclassifiable exhibitions that transform museums into supermarkets or hairdressing saloons.

Three books in a case that presents Jean-Luc Moulène's work, world-wide known photographer and plastic artist. 

A surprising, original and imaginative creation, the chest of drawers Happy Birthday, conceived as a big and colorful present by the designer Mattia Bonetti.