Charles et Marie-Laure de Noailles - Telerama

Here are the photographs of our stand for Art Brussels from the 22nd to the 24th of april 2016.

This set consists of an exceptional trilogy: the result of an endless dialogue between the works of three artists, Marc-Alexandre Oho Bambe, Fred Ebami and Alain Larribet.

The Lamp 360 by Aurore Assimon was presented for the DDay’s 2017 at the Musée des arts décoratifs de Paris.

In this project, designer François Azambourg was pleased to bring back the classic "macaroni necklace", but in sterling silver, effectively transforming it into a resolutely precious object.

The artist presents her first tridimensional painting.

Original drawings, screen printed, of 5 ex. (each).

Neon and glass shelter composed of 3 different items.
Table & chair unit

The Moc Moc Moc Carpets by Sylvain Debelfort were presented for the DDay’s 2017 at the Musée des arts décoratifs de Paris.

Here are the photographs of our stand for Art Paris from the 31st of march to the 4th of april 2016, in the editorial category.

In Vera Molnar’s work, the motif of the Montagne Saint-Victoire holds a singular place.

Pigment and acrylic paint on cotton paper by Julie Polidoro

Pigment and acrylic paint on cotton paper by Julie Polidoro

Hymne à la Joie, refers to Beethoven’s ninth symphony, and is an in-situ installation for the Galeries Lafayette, Paris, in July 2011.

Cher Aimé… is the sixth title of the “Cher…” collection published on the occasion of the tenth anniversary of the death of Aimé Césaire

This books present a set of unpublished creations of Matisse.

On the occasion of the 50th anniversary of Le Corbusier’s passing, Anish Kapoor was invited to make his work dialogue with the La Tourette convent’s architectural patrimony. This confrontation gives place to an exhibition that changes the way we see and look at the convent.

The motif of the Montagne Saint-Victoire -so dear to Cezanne- holds a unique place in Vera Molnar’s work.

The motif of the Montagne Saint-Victoire -so dear to Cezanne- holds a unique place in Vera Molnar’s work.