Charles et Marie-Laure de Noailles - Var-Matin

The book goes trough Miguel Chevalier’s exhibitions and digital installations all throughout the world.

The motif of the Montagne Saint-Victoire -so dear to Cezanne- holds a unique place in Vera Molnar’s work.

These creations are pieces of jewelry as much as small-scale sculptures.

On the occasion of the 50th anniversary of Le Corbusier’s passing, Anish Kapoor was invited to make his work dialogue with the La Tourette convent’s architectural patrimony. This confrontation gives place to an exhibition that changes the way we see and look at the convent.

The video and photographic work of Florence Chevallier (born in 1955, currently living and working in Paris) overlaps between document and allegory while exploring the genres of landscape, portrait, self-portrait and genre scene.

This book is published for the exhibition at the Museum of Confluences, Lyon.

The Pillows Lavas are a series of four vases inspired by a natural volcanic phenomenon at the origin of the island.

The artist presents her first tridimensional painting.

Triptych – pigment printing with collages and original drawings on cotton paper by ARPAÏS du Bois

The "Pluto" Suspension by Marie-Eve Millasseau was presented for the DDay’s 2017 at the Musée des arts décoratifs de Paris.

Exhibition catalogue "Traverser" - Centre d'art contemporain Les Tanneries

Dark smoker is a vase inspired by a natural volcanic phenomenon at the origin of the island.

In Vera Molnar’s work, the motif of the Montagne Saint-Victoire holds a singular place.

Transformations is a direct reference to one of Molnar's great masters, revisiting the representation of the magic square.

Marégramme de l’amour is one of Hady Sy’s most overtly enchanting and poetic works.

Lamp « Spoutnik» by François Azambourg.

Pigment inkjet printing and screenprinting on watercolor Arches and Hahnemühle paper, tracing paper, wood and Plexiglas.

The motif of the Montagne Saint-Victoire -so dear to Cezanne- holds a unique place in Vera Molnar’s work.

GEARS

March 1967- Musée d’art et d’industrie of Saint-Etienne- Philippe Favier discovered contemporary art and Le Fiancé by Francis Picabia.

“I received my first bike at the age of twelve, since then, I have been on the road.” (Paul Morand)

We are pleased to announce our participation to the 2017 Paris Art Fair.