Charles et Marie-Laure de Noailles - Grazia

An exceptional selection of hand-coloured cards on Arche vellum paper is presented.

Catalogue of Pardo é Papel, an exhibition of the work of Maxwell Alexandre at the Musée d'art contemporain of Lyon from March 8 to July 7, 2019.

The Lamp 360 by Aurore Assimon was presented for the DDay’s 2017 at the Musée des arts décoratifs de Paris.

The artist presents her first tridimensional painting.

We are pleased to announce our particpation to the MAD 2016 fair.

Fragments is a unique dialogue between poetry, music, visual and digital arts.

Marc Alexandre Oho Bambe’s text is echoed by Fred Ebami’s illustrations and Alain Larribet’s music. Available via QR code.

Neon and glass shelter composed of 3 different items.
Table & chair unit

Bernar Venet has created a venue for contemporary art in the enlarged, renovated watermill he has been living in since 1989, in Le Muy (France, Var).

Hymne à la Joie, refers to Beethoven’s ninth symphony, and is an in-situ installation for the Galeries Lafayette, Paris, in July 2011.

This multiple is composed of a set of nine wooden letters forming the word: SOMETHING.
Sycamore tree set.

Lamp « Spoutnik» by François Azambourg.

For the "All Over" exhibition in la Galerie des Galeries, he has created a limited edition original multiple, La Raquette.

Original drawings, screen printed, of 5 ex. (each).

La Spirale Singulière is one the rare sculptures Jacques Villeglé made in an edition of eight. With a different color chosen by the artist for each edition, each piece is a unique creation.

Conceived around the relationship of drawing and writing, text and image, Comment d'une épingle faire un clou is a collection of thoughts on the fundamental values of transmission.

The motif of the Montagne Saint-Victoire -so dear to Cezanne- holds a unique place in Vera Molnar’s work.

05-08 April 2018 - Grand Palais in Paris

Dark smoker is a vase inspired by a natural volcanic phenomenon at the origin of the island.

A lamp that can be infinitely modulated (almost) 

Pigment inkjet printing and screenprinting on watercolor Arches and Hahnemühle paper, tracing paper, wood and Plexiglas.

The motif of the Montagne Saint-Victoire -so dear to Cezanne- holds a unique place in Vera Molnar’s work.