Charles et Marie-Laure de Noailles - Journal des Arts

Triptych – pigment printing with collages and original drawings on cotton paper by ARPAÏS du Bois

GEARS

March 1967- Musée d’art et d’industrie of Saint-Etienne- Philippe Favier discovered contemporary art and Le Fiancé by Francis Picabia.

“I received my first bike at the age of twelve, since then, I have been on the road.” (Paul Morand)

Oak centerpiece conceived by Atelier BL 119 as a simple and primary architecture, recalling a pontoon.

In Vera Molnar’s work, the motif of the Montagne Saint-Victoire holds a singular place.

On the occasion of the first great retrospective exhibition of this artist born in Montpellier in 1938, this catalogue of over-400 pages will present the work of a main witness and actor of the great upheavals of contemporary painting in the 60s.

Marégramme de l’amour is one of Hady Sy’s most overtly enchanting and poetic works.

For the "All Over" exhibition in la Galerie des Galeries, he has created a limited edition original multiple, La Raquette.

Catalogue of the exhibition Au-delà des souvenirs - Lee Ufan at Le Corbusier held at the convent of La Tourette.

Bernar Venet has created a venue for contemporary art in the enlarged, renovated watermill he has been living in since 1989, in Le Muy (France, Var).

The artist's latest creation, which marks a turning point and a return to line and drawing.

The "Time on Hold" Clock by Bastien Mairet was presented for the DDay’s 2017 at the Musée des arts décoratifs de Paris.

Monotype- pigment printing with original texts by ARPAÏS du Bois

Original drawings, screen printed, of 5 ex. (each).

We are pleased to announce our participation to the D'Days 2016

From May the 30th to the 5th of June, 2016

A lamp that can be infinitely modulated (almost) 

This set consists of an exceptional trilogy: the result of an endless dialogue between the works of three artists, Marc-Alexandre Oho Bambe, Fred Ebami and Alain Larribet.

05-08 April 2018 - Grand Palais in Paris

Tokonoma is a vase conceived as a construction game, which questions the place of the vase object within domestic space.

An exceptional selection of hand-coloured cards on Arche vellum paper is presented.