Charles et Marie-Laure de Noailles - Journal des Arts

We are pleased to announce our participation to the FIAC 2016 fair.

Since around 1969, Villeglé has had a real passion for signs, typography, graphic experiments and poetry. This passion gave way to his famous sociopolitical alphabet, a vast repertoire of thousands elements from various world cultures he reinvents and recomposes. 

Marégramme de l’amour is one of Hady Sy’s most overtly enchanting and poetic works.

Here are the photographs of our stand for Art Paris from the 31st of march to the 4th of april 2016, in the editorial category.

Laboratory for diverse artistic forms, the collective FRIGO led from Lyon a very active international network of fine art artists, choreographers, poets, comedians, writers and musicians in between 1978 and 1990.

From March 28 to June 10, 2017, Galerie des Galeries presents Le jour qui vient (The Day That Comes).

The Pillows Lavas are a series of four vases inspired by a natural volcanic phenomenon at the origin of the island.

The "All Over" exhibition created by Samuel gross explores the vertical stripes, a recurrent theme in art and fashion history.

Triptych – pigment printing with collages and original drawings on cotton paper by ARPAÏS du Bois

Monotype- pigment printing with original texts by ARPAÏS du Bois

Cher Aimé… is the sixth title of the “Cher…” collection published on the occasion of the tenth anniversary of the death of Aimé Césaire

On the occasion of the 50th anniversary of Le Corbusier’s passing, Anish Kapoor was invited to make his work dialogue with the La Tourette convent’s architectural patrimony. This confrontation gives place to an exhibition that changes the way we see and look at the convent.

A finely tuned series on the verge of evanescence…

We are pleased to announce our particpation to the MAD 2016 fair.

For the "All Over" exhibition in la Galerie des Galeries, he has created a limited edition original multiple, La Raquette.

Laure Albin Guillot is the third book by La Collection du Parc coedited with the Fondation nationale pour les arts graphique et plastiques (FNAGP) after Grégoire Korganow and Dalila Alaoui.

Oak centerpiece conceived by Atelier BL 119 as a simple and primary architecture, recalling a pontoon.

The artist presents her first tridimensional painting.

The motif of the Montagne Saint-Victoire -so dear to Cezanne- holds a unique place in Vera Molnar’s work.

Conceived around the relationship of drawing and writing, text and image, Comment d'une épingle faire un clou is a collection of thoughts on the fundamental values of transmission.

Bernar Venet’s first tapestry work