Odile Decq - Monolithe

Bernar Venet’s first tapestry work

With Le Grand Livre the artist has delivered an exceptional work, a monumental book with 23 pages some two meter wide.

The artist's latest creation, which marks a turning point and a return to line and drawing.

Set of 15 prints composed of 24 serigraphies and one original drawing of the artist

An undefinable artist, Fabrice Hyber has never stopped rattling the art world with his POF, his unclassifiable exhibitions transform museums into supermarkets or hairdressing salons.

The idea of the imprint is constitutive of the artistic work of Anna et Patrick Poirier: constant questioning of man’s place in the world.

Neon and glass shelter composed of 3 different items.
Table & chair unit

Inspired by Dürer’s etching “Melancolia”, Vera Molnar continuously interrogates a square filled with numbers of which the sum never changes. She appropriates it and attempts to reveal its secrets.

Marine maps from the early twentieth century are the backdrop for a triptych inhabited by signs and diverse highlights. Original intervention by the artist on each piece of the series.

By rebinding this black book, Bernar Venet asserts that modernity, far from being dead, is not even outmoded and that the utopia it conveys still deserves to be revived.

“This series of 12 drawings happened a bit by chance, out of bits and pieces of previous drawings." Pierrette Bloch

O' Sole Mio is an engraved Carrara marble sundial mounted on a brushed stainless steel base with a brushed brass rod designed by Vera Molnar.

The motif of the Montagne Saint-Victoire -so dear to Cezanne- holds a unique place in Vera Molnar’s work.

The artist proposes works halfway between sculpture and low-relief

Cold Hill Side, an expression taken from the poem La Belle Dame sans merci, is a series of three silkscreens created by Claire Trotignon.

Neon and glass shelter composed of 3 different items.
Bed unit

The artist came up with the idea of striking the trunk of fourteen varieties of trees with a mallet, registering the quality of the vibration from the wood itself, its resonance in away.

An edition that ironically questions the history of art.

The artist presents a new tridimensional painting

Triptych – pigment printing with collages and original drawings on cotton paper by ARPAÏS du Bois

Since the early 70's, each photo has been taken the same way. The man dressed in a white shirt photographs himself, posing in an attitude which is as neutral as possible.

The motif of the Montagne Saint-Victoire -so dear to Cezanne- holds a unique place in Vera Molnar’s work.

GEARS

March 1967- Musée d’art et d’industrie of Saint-Etienne- Philippe Favier discovered contemporary art and Le Fiancé by Francis Picabia.

“I received my first bike at the age of twelve, since then, I have been on the road.” (Paul Morand)

Destined to inhabit an interior dwelling, Lorsque la forêt s’éclaircit et retient ses animaux en elle is a rare work in a unique universe.

Vogue la galère results from a specific project which has been discussed with Bernard Chauveau Éditeur and Le Néant, éditeur.