Vera Molnar - Carré coupé en 12 à angles droits

Bernar Venet’s first tapestry work

An over 5 meter-long drawing on canvas…

Neon and glass shelter composed of 3 different items.
Bed unit

Vogue la galère results from a specific project which has been discussed with Bernard Chauveau Éditeur and Le Néant, éditeur.

“This series of 12 drawings happened a bit by chance, out of bits and pieces of previous drawings." Pierrette Bloch

Cold Hill Side, an expression taken from the poem La Belle Dame sans merci, is a series of three silkscreens created by Claire Trotignon.

By rebinding this black book, Bernar Venet asserts that modernity, far from being dead, is not even outmoded and that the utopia it conveys still deserves to be revived.

The artist's latest creation, which marks a turning point and a return to line and drawing.

Marine maps from the early twentieth century are the backdrop for a triptych inhabited by signs and diverse highlights. Original intervention by the artist on each piece of the series.

O' Sole Mio is an engraved Carrara marble sundial mounted on a brushed stainless steel base with a brushed brass rod designed by Vera Molnar.

Monotype- pigment printing with original texts by ARPAÏS du Bois

Since the early 70's, each photo has been taken the same way. The man dressed in a white shirt photographs himself, posing in an attitude which is as neutral as possible.

Inspired by Dürer’s etching “Melancolia”, Vera Molnar continuously interrogates a square filled with numbers of which the sum never changes. She appropriates it and attempts to reveal its secrets.

For the edition Mur du son the artist had recorded in 1991 the jet engines on a Concord for almost two hours.

The motif of the Montagne Saint-Victoire -so dear to Cezanne- holds a unique place in Vera Molnar’s work.

For the creation of this new « statement », Lawrence Weiner decided to liberate himself from the direct printing on the wall in order to lead the spectator towards a new relationship to his linguistic proposition.

The motif of the Montagne Saint-Victoire -so dear to Cezanne- holds a unique place in Vera Molnar’s work.

Characterized by the intensity of its Prussian blues or cyan blues, the cyanotype has provided Claire Trotignon with an ideal opportunity in which to further develop her graphic work.

In Vera Molnar’s work, the motif of the Montagne Saint-Victoire holds a singular place.

Neon and glass shelter composed of 3 different items.
Table & chair unit

Original drawings and graphic compositions from different periods of his fruitful path, revealing the artist’s multiple facets.

Bernar Venet, in Hypotheses of Dots, offers a rare work, all the more exceptional because his engraved works are as yet uncommon.

Since 1968, Giuseppe Penone has been considered one of the leading artists of the Arte Povera movement and since that time, has developed an artistic practice where artifice and nature are closely connected.

A series of drawings with gold leaves by the French artist Nathalie Talec.

The idea of the imprint is constitutive of the artistic work of Anna et Patrick Poirier: constant questioning of man’s place in the world.