Vera Molnar - Carré coupé en 12 à angles droits

A series of drawings with gold leaves by the French artist Nathalie Talec.

The motif of the Montagne Saint-Victoire -so dear to Cezanne- holds a unique place in Vera Molnar’s work.

Set of 15 prints composed of 24 serigraphies and one original drawing of the artist

Since 1968, Giuseppe Penone has been considered one of the leading artists of the Arte Povera movement and since that time, has developed an artistic practice where artifice and nature are closely connected.

GEARS

March 1967- Musée d’art et d’industrie of Saint-Etienne- Philippe Favier discovered contemporary art and Le Fiancé by Francis Picabia.

“I received my first bike at the age of twelve, since then, I have been on the road.” (Paul Morand)

The artist presents her first tridimensional painting.

An over 5 meter-long drawing on canvas…

Neon and glass shelter composed of 3 different items.
Bed unit

The motif of the Montagne Saint-Victoire -so dear to Cezanne- holds a unique place in Vera Molnar’s work.

Bernar Venet, in Hypotheses of Dots, offers a rare work, all the more exceptional because his engraved works are as yet uncommon.

The first tapestries of Vera Molnar.

The first tapestries of Vera Molnar.

The motif of the Montagne Saint-Victoire -so dear to Cezanne- holds a unique place in Vera Molnar’s work.

In Vera Molnar’s work, the motif of the Montagne Saint-Victoire holds a singular place.

For the edition Mur du son the artist had recorded in 1991 the jet engines on a Concord for almost two hours.

Bernar Venet’s first tapestry work

An edition that ironically questions the history of art.

For the creation of this new « statement », Lawrence Weiner decided to liberate himself from the direct printing on the wall in order to lead the spectator towards a new relationship to his linguistic proposition.

An undefinable artist, Fabrice Hyber has never stopped rattling the art world with his POF, his unclassifiable exhibitions transform museums into supermarkets or hairdressing salons.

Inspired by Dürer’s etching “Melancolia”, Vera Molnar continuously interrogates a square filled with numbers of which the sum never changes. She appropriates it and attempts to reveal its secrets.

Original drawings and graphic compositions from different periods of his fruitful path, revealing the artist’s multiple facets.

Neon and glass shelter composed of 3 different items.
Table & chair unit

Pigment inkjet printing and screenprinting on watercolor Arches and Hahnemühle paper, tracing paper, wood and Plexiglas.

Marine maps from the early twentieth century are the backdrop for a triptych inhabited by signs and diverse highlights. Original intervention by the artist on each piece of the series.