Vera Molnar - Carré coupé en 12 à angles droits

The motif of the Montagne Saint-Victoire -so dear to Cezanne- holds a unique place in Vera Molnar’s work.

Set of 15 prints composed of 24 serigraphies and one original drawing of the artist

These two impressive works, White Moon and Black Moon, depict a fictive and futuristic landscape, yet to be explored.

One of the most accomplished multiples by Alan Charlton

The first tapestries of Vera Molnar.

Neon and glass shelter composed of 3 different items.
Staircase unit

Since the early 70's, each photo has been taken the same way. The man dressed in a white shirt photographs himself, posing in an attitude which is as neutral as possible.

With Le Grand Livre the artist has delivered an exceptional work, a monumental book with 23 pages some two meter wide.

An over 5 meter-long drawing on canvas…

A panoramic over two meters long, Triple Matin is a creation of Claire Trotignon.

Characterized by the intensity of its Prussian blues or cyan blues, the cyanotype has provided Claire Trotignon with an ideal opportunity in which to further develop her graphic work.

Bernar Venet’s first tapestry work

Inspired by Dürer’s etching “Melancolia”, Vera Molnar continuously interrogates a square filled with numbers of which the sum never changes. She appropriates it and attempts to reveal its secrets.

The idea of the imprint is constitutive of the artistic work of Anna et Patrick Poirier: constant questioning of man’s place in the world.

The first tapestries of Vera Molnar.

The artist came up with the idea of striking the trunk of fourteen varieties of trees with a mallet, registering the quality of the vibration from the wood itself, its resonance in away.

Marine maps from the early twentieth century are the backdrop for a triptych inhabited by signs and diverse highlights. Original intervention by the artist on each piece of the series.

O' Sole Mio is an engraved Carrara marble sundial mounted on a brushed stainless steel base with a brushed brass rod designed by Vera Molnar.

Triptych – pigment printing with collages and original drawings on cotton paper by ARPAÏS du Bois

The motif of the Montagne Saint-Victoire -so dear to Cezanne- holds a unique place in Vera Molnar’s work.

The artist proposes works halfway between sculpture and low-relief

“This series of 12 drawings happened a bit by chance, out of bits and pieces of previous drawings." Pierrette Bloch

The artist presents her first tridimensional painting.

Leporello in pigment print, hand-embellished by the artist

Original serigraphy created by Odile Decq from the design of the “Pavillon 8” (built in Lyon) consisting of two massive, unbalanced parallelepipeds.