Pierrette Bloch - Or, un

The idea for this book was born when Claude Rutault, in the d/m 208, considered the future of marelles, (hopscotches), a series on which he worked from August 1971 to September 1975.

The work of François Morellet as one of the most conceptual to appear in France in the 1950’s.

Populated by monsters and chimeras, filled with fantasies and surreal impulses, the dubious territory of our dreams and neuroses is Amelie Barnathan’s favorite playground.

Dan caso in poi, poesi verbo visuali is an artist book by the famous italian poet Ugo Carrega.

This book presents an Encounter with the French painter Claude Viallat in his Studio at Nîmes (south of France). Text in French by Michèle Lécluse.

Tout est un devient deux is made of 21 pairs of drawings. Each representation is split into 2 drawings and plays with a duality that each of us experiences on a daily basis.

For the edition Mur du son the artist had recorded in 1991 the jet engines on a Concord for almost two hours.

À main levée is the result of a long process of reflection by the artist Janos Ber on colour and design arising simultaneously.

This Vera Molnar object-book offers exactly 6,765,201 versions of Montagne Sainte-Victoire (Aix-en-Provence, France).

Mo Mote is an extract of the Grand Livre published by Bernard Chauveau|Édition (2008), specially created in the form of a leporello by Philippe Favier.

By rebinding this black book, Bernar Venet asserts that modernity, far from being dead, is not even outmoded and that the utopia it conveys still deserves to be revived.

This edition includes a copy of the book Signa Mentis, accompanied by an original box inspired by "Boîte en acétate contenant couple d'outils", from 2012.

This edition follows the artist’s approach and research on generative works and on movement. It is composed of twelve flipbooks, a black and white booklet.

Odile Decq has devised an original edition that take back the founders of architectural elements of the MACRO in Roma

Ni queue ni tête is gathered an original drawing by Vera Molnar with a musical composition by Jean-Yves Bosseur