Pierrette Bloch - Or, un

Populated by monsters and chimeras, filled with fantasies and surreal impulses, the dubious territory of our dreams and neuroses is Amelie Barnathan’s favorite playground.

The idea for this book was born when Claude Rutault, in the d/m 208, considered the future of marelles, (hopscotches), a series on which he worked from August 1971 to September 1975.

Considered since 1968 as one of the leaders of Arte Povera, Giuseppe Penone has since pursued an artistic practice in which artifice and nature are closely intermingled.

The work of François Morellet as one of the most conceptual to appear in France in the 1950’s.

"Je s’aime", the edition realized for Bernard Chauveau Éditeur and Le Néant éditeur, works as an open game whose rules are subject tomodification and interpretation.

Ni queue ni tête is gathered an original drawing by Vera Molnar with a musical composition by Jean-Yves Bosseur

This book presents an Encounter with the French painter Claude Viallat in his Studio at Nîmes (south of France). Text in French by Michèle Lécluse.

Head print of the catalogue of the eponymous exhibition at the Maison des Arts de Bages from 20 June to 30 August 2020

By rebinding this black book, Bernar Venet asserts that modernity, far from being dead, is not even outmoded and that the utopia it conveys still deserves to be revived.

Odile Decq has devised an original edition that take back the founders of architectural elements of the MACRO in Roma

Tout est un devient deux is made of 21 pairs of drawings. Each representation is split into 2 drawings and plays with a duality that each of us experiences on a daily basis.

À main levée is the result of a long process of reflection by the artist Janos Ber on colour and design arising simultaneously.

This Vera Molnar object-book offers exactly 6,765,201 versions of Montagne Sainte-Victoire (Aix-en-Provence, France).

Marégramme de l’amour is one of Hady Sy’s most overtly enchanting and poetic works.

Mo Mote is an extract of the Grand Livre published by Bernard Chauveau|Édition (2008), specially created in the form of a leporello by Philippe Favier.